Typical treatments
Cleaning and varnish removal
Decades of soot, nicotine and yellowed varnish settle over the paint like a yellow veil. We take these layers off under control — millimetre by millimetre, checking the findings constantly. What appears underneath surprises many owners: the actual colours of their picture.
Retouching and filling losses
Losses are filled, primed and retouched in a reversible technique — so that a later conservator can identify our work and undo it. That is not caution, it is professional ethics.
Treatment of tears and supports
Tears in the canvas, deformations, loose stretchers: we stabilise the support before treating the paint layer.
How a restoration runs
Inspection
In the workshop or at your place; a first assessment from photographs beforehand is fine too.
Findings and quotation
Binding — for your insurer too.
Restoration
With photographic documentation of every stage.
Return
With transport and hanging if required.
Condition reports for insurers and owners
Water damage in storage, damage in transit, a picture that has come off the wall. When art is damaged, owners and insurers need the same thing — a sound assessment of what is damaged, what the repair will cost and what makes economic sense.
What we provide
Recording the damage
At the object, with photographic documentation.
Establishing the scope of treatment
Itemised so it can be followed.
Quotations for insurers
In the form insurers expect.
Carrying out the restoration
Once approved — all from one workshop, with nothing lost between the report and the bench.
Who this is for
Insurers and brokers who need a professional assessment. Private clients and collectors after damage. Companies, law firms and hotels with art on the premises. Museums and galleries working with loans.
Common questions
What does it cost to have a painting restored?
That depends on the size, the condition and the work involved — there is no serious figure before we have seen the painting. After that you receive a binding quotation. First assessments from photographs are without obligation and free of charge.
Is restoration worth it for pictures without a high market value?
Often, yes. The value of a family portrait is not measured by an auction result. We will tell you honestly how the work involved stands in relation to the piece.
Will the insurer cover the cost?
Where the damage is insured, often — we produce the condition reports and quotations required and we know what insurers ask for.